Hello friends!
I've really been enjoying creating some fantasy portraits lately. Here are some more.
This first one is a reworking of a previous one I've shared with you. I didn't like the lips. They were too big. They were too red. They were too bold. They were like a slash of fierce red lipstick across her face. It did not bode well with me. In the meantime, I've been taking more online classes, and one thing I have learned is that gesso is quite a miracle medium, in that you can use it not only to stabilise your substrate but also to wipe things out. So guess what I did? You've got it. I just gessoed over those dreadful red lips and painted some new ones. Hurrah.!
In order, first is the original. The second one with the lips gessoed over. The third one, the final amended one. I used pink ink instead of paint for the final one. I also added eyelashes, which is some facial feature I do need to practise. However, I think they've given the eyes an extra lift. And I also slightly reworked the shading in the eyes which is something I have learned to do since I painted this originally. Altogether, I'm very happy with the improvements made. I'd really like to know what you think.
I'm not going to pretend it wasn't scary. It was utterly terrifying!! However., I plucked up the courage and committed to it. I don't know how I did it, because it was frightening putting that first layer of gesso down over the lips, knowing that I could easily ruin everything with no going back. It was at work down the drain so to speak, but I think it's paid off dividends and it's a much better portrait all round now.
I may have mentioned that I subscribed to Tamara Laporte's. Life Book 2019 but because Mum passed away, I didn't even begin it. Once you've bought one of her classes you have lifetime access to all the components, so I've decided to go back in and work through the lessons. Because I bought at the early birds price, I also got a free bonus class. It's called Garden Fairy; this is my result. I'm very happy with how it's turned out.
One thing I have learned is once you have set down your original line drawing and start applying your paint it can be quite a daunting process. I'm sharing just a few of the stages here with you to illustrate what I mean. To be honest once I start laying in the flesh tones, they really look quite frightening, as if you've ruined it before you've even started, but you just got to keep the faith and keep going. Layer upon layer of paint builds up gradually and you hopefully end up with a finished outcome that you're happy with.
So, I create my drawing, with which I'm very happy.Final Outcome
I'm showing you two versions of the same painting. First one is without the vine leaves hanging down in the background. The second one has the vine leaves added. I'm not sure which one I prefer. I can't make up my mind whether the hanging vines are a step too far or whether they add something to the portrait. That's the thing with taking photographs at every stage of development. You get to see how things looked and compare. Photography can be a very useful tool with painting analysis. I am very happy with how she turned out, either version! Do you have a favourite?




































